Episode 1 » Dramabeans Korean drama recaps. It was a successful premiere for tv. N’s ambitious buzz project The Lonely Shining Goblin, on several fronts: Ratings- wise, it logged a 6. I’m less concerned with the numbers than the content, though, since I was more worried about whether the reality of the show would survive its promotional hype, and how the fantasy element would play out. Very well, as it turns out. The show traverses past and present well, and combines a backstory that not only feels epic but looks it, too—fantasy dramas need these huge budgets and scales, because otherwise they become a whole exercise in “what could have been”—with a lighter present day that’s whimsical and romantic. It’s been a long time since Gong Yoo has been in a good drama, and I’m super relieved that this project will be a good one for him.
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An old, worn sword sticks out of the ground, its hilt wrapped in a bloodstained cloth. The narrator notes, “This sword that has been stained with the blood of thousands, and its owner’s blood as well—how could it not happen?”On the hilt of the old sword is an engraving of a goblin’s face. As a butterfly lands on that hilt, images flash by onscreen: A screeching car. White expanse turning red.
The narrator declares, “Only the goblin’s bride will pull out that sword. If the sword is pulled, may it return to nothing and be at peace.”An old grocer woman (heyo, is that a wrinkly Lee El?) tells this story to a woman browsing her wares, who bursts out laughing at the line that the immortal goblin may roam the world even now. She finds that idea silly but still calls it a sad story, since the goblin has to find a bride in order to die. The woman gets up to go with a cheery goodbye, but the granny grabs her hand and turns suddenly intense. She warns her that if she comes to a life- or- death situation, she must pray earnestly: “You never know when a soft- hearted god may be listening.” (Audiences are probably expected to recognize her as Samshin Halmeom, a kind of fairy godmother.) 1.
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Paris. A well- dressed man (Gong Yoo) waits outside a building, and when a teenage boy walks out with a luggage bag and a battered face, he stops him to warn him not to leave home. And you’ll never see your mother again.” The man casually moves a planter on the steps, then advises the boy to speak up to his parents: Tell Dad to raise him well, and Mom to help. At least this way, the boy will just damage one hand and not lose his life. The boy is suspicious but intrigued, asking if the man will take responsibility if the boy gets beaten to death. The man replies, “That’s why I broke a rib for you.” The adoptive father storms outside screaming at the boy.
The man hands the boy a lunch, tells him to go to school, and even gives the correct answer for a math problem he’ll face later. The boy stares after him, transfixed.
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Narrator: “He is water, fire, and wind, and also light and dark. And once, he was human.”Centuries ago, we meet him again on the battlefield, as the appropriately named General KIM SHIN (shin = god). Battle rages around him and bodies fall.
Clutching that goblin- etched sword, Shin stands up to face a wall of attackers without fear.“The people called him god,” the narrator tells us, now in Shin’s voice. He slashes his way across the battleground and locks eyes with an enemy soldier (the general?), who’s spooked and runs.
Shin jumps on horseback and charges after the man, taking him down readily. Shin’s army is greeted with cheers from grateful citizens as they ride toward the palace gates. His second- in- command proudly announces their arrival—only to receive a hostile reception, as they are ordered to strip off their armor. It’s an insult, but Shin and his men grudgingly comply. Then, Shin is declared a traitor—clearly a false charge, but not one he’s in a position to overturn. Guards assemble at the top of the wall and aim bows and arrows at Shin’s army.
Instead of kneeling, Shin draws his sword and demands to be let in to see the king. As soon as he advances, however, arrows fly and strike down his men, and he turns back in horror to see them lying in their own blood. His second- in- command rages at being turned on after fighting on the hellish battlefield for the king. The gate opens and Shin heads inside alone, where a young queen and king (Kim So- hyun, Kim Min- jae) await him. An Iago- like eunuch whispers into the king’s ear, telling him that Shin’s incredible victories have made him popular with the people, and his growing power makes a mockery of the throne. Our narrator tells us, “He saw clearly his enemy’s sword, but he could not see the jealousy and fear of the young king, directed at him. That was the sharpest sword wielded at him, but he did not know it.”The king orders him to stop advancing and die as a traitor to save everyone else.
One more step will get everyone killed. But the queen, who looks upon Shin fondly, tells him to go: “I am fine.” Shin starts to protest, but she cuts him off: “I know.
And if this is the last, this is my fate. Do not stop, and go to the king, General.”So he continues his approach, and the king gives the order to kill everyone in the traitor’s family. An arrow flies into the queen’s chest. Ah, is she Shin’s sister? The queen falls, and Shin doesn’t turn back, continuing forward. More members of his family are brought forward and killed before his eyes. The treacherous eunuch orders the traitor brought down, so a guard slashes Shin across the back, forcing him on his knees.
Shin’s second- in- command runs in and screams at the king, “Do you not fear heaven?” The king smirks that heaven has never helped them, and Shin glares up at him as the order is given to behead him. A soldier starts to strike, but Shin knocks his sword aside, telling him that’s not a job for him to do. Instead, Shin turns to his second- in- command to make a final request, and gives him his sword. His friend sobs as he takes the sword and promises to follow him soon.